Visual Arts

3 Titles

All Books

Poster for an art exhibition titled “A GUST OF WIND.” The design features a light gray background with the title in large black uppercase letters at the top. Below the title is a centered list of participating artists’ names in smaller text. Near the lower half, a rectangular artwork depicts a sailboat with blue sails on choppy water beneath a cloudy sky, framed by a white border. Beneath the artwork is a circular logo and additional exhibition information in small text. The overall layout is clean and minimalist, with the blue tones of the painting contrasting against the neutral gray background.

A Gust of Wind

Sean Caulfield, Karilee Fuglem, Elida Brenna Linge, Patrick Mahon, David Merritt, Tegan Moore, Francine Savard
January 1, 2015
Small horizontal image of an aged paper artifact with a hand-drawn landscape scene in dark ink. The illustration shows a long, low hillside or mountain with clustered trees and vegetation. Red seal stamps appear along the left margin, and faint handwritten characters are visible near the top right. The paper has a light beige tone and shows signs of age and wear.

Nur : Qur'an, sura 24:35; the Light Verse.: Excerpts for the complete book.

January 1, 2015
Wide horizontal exhibition banner with a vivid red and deep blue abstract background resembling flowing water, currents, or a topographic map. White text near the center-right reads “RETHINKING WATER”, with smaller exhibition details beneath. A small QR code appears on the left side, accompanied by additional text that is too small to read clearly at this resolution. Fine contour-like lines and swirling patterns span the entire composition, creating a dynamic sense of movement and fluidity. The design uses strong color contrast and a contemporary graphic style.

The Source: Rethinking Water Through Contemporary Art

Nadine Bariteau (ed), Raymond Boisjoly (ed), Elizabeth Chitty (ed), Sohella Esfahani (ed), Gautam Garoo (ed), Patrick Mahon (ed), Colin Miner (ed), Lucy Orta (ed), Jorge Orta (ed), Gu Xiong (ed)
January 1, 2017