Public Space of the Domestic Sphere. Espace public de la sphere domestique

Autores

Servanne Woodward (coord.), Western University; Roland V. Bonnel (coord.), Dalhousie University; Alain Goldschläger (coord.), The University of Western Ontario; Christine Roulsto (coord.), The University of Western Ontario; Peter R. Saìz (coord.), Purdue University

Palavras-chave:

18th Century, France, French domestic architecture, Social life and customs, Space (Architecture), French and Francophone Language and Literature

Sinopse

Vol. II of the Eighteenth-Century French World Centre-The University of Western Ontario, edited by Servanne Woodward, Roland V. Bonnel, Alain Goldschläger, Christine Roulston, and Peter R. Saìz. ISBN 0-7714-1968-6.

Mestengo Press and the copyright holders have granted permissions for Western Libraries to post this book online for free public access.
The print version of this book was published with Altered Narratives: Female Eighteenth-Century French Authors Reinterpreted in one volume.
The original cover illustration is not available. The new cover image is provided by Servanne Woodward.

Capítulos

  • Front Matter
    Servanne Woodward
  • Introduction: L'espace public de la sphere domestique dans le monde fran~ais du xviiie siecle
    Thierry Belleguic
  • Planning For Privacy: Zoning in JacquesFran~ ois Blondel's Maisons de piaisance
    Reed Benhamou
  • Une chambre a soi: le theme du logement dans la correspondance de Mme Belot (Durey de Meinieres)
    Marie Laure Girou Swiderski
  • Jean-Philippe Rameau : musique privee, musique puhlique
    Lane HelIer
  • Chardin's Domestic Rhetoric and the Poetics of the Private and Public Sphere
    Heather McPherson
  • Violence and Persecution in the Drawing-Room: Subversive Textual Strategies in Riccoboni's Miss ]uliette Catesby
    Antoinette Sol
  • Woman, lEsthetics and Natural History: From French Medical Book to German Handbook
    Anne-Marie Link
  • Appendix
Poster titled “Public Space of the Domestic Sphere / Espace public de la sphère domestique.” The design features a light gray background with the bilingual title centered at the top in black text. At the center is a small painting depicting an interior domestic scene with figures, furniture, and architectural elements rendered in muted tones of gray, pink, green, and brown. On the left side, a vertical list of participating artists' names appears in black text. On the right side, exhibition details indicate London, ON and February–March 1992. The layout is simple and balanced, with the artwork serving as the focal point against the minimalist background.

Publicado

janeiro 1, 1997

Licença

Creative Commons License

Este trabalho encontra-se publicado com a Licença Internacional Creative Commons Atribuição 4.0.